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Film Bangkit dari Lumpur 2013

04.08 Posted by Unknown No comments

Film Bangkit dari Lumpur 2013

Film Horor Indonesia Terbaru di Bioskop 2013 | Sinopsis Bangkit dari Lumpur 2013 di Bioskop: Sebuah Film Horor Indonesia "Bangkit dari Lumpur" yang dibintangi Dewi Persik, tentang Hantu Lumpur Lapindo. Film produksi Sentra Films yang berdurasi 85 menit ini akan rilis dan tayang di Bioskop Oktober 2013 seluruh Indonesia.

# Sinopsis Bangkit dari Lumpur 2013:
 
Shakira (Dewi Persik), penari pole-dance di klub, bertemu dengan James (Robby Shine) yang kemudian menjadi kekasihnya dan berjanji akan sehidup semati. Ternyata James bersama Kevin, Trixie, Gerry dan dibantu seorang dokter sakit jiwa menjalankan bisnis penjualan organ tubuh manusia secara ilegal.

Shakira menyaksikan pembunuhan tersebut, menjadi saksi dan akhirnya dibunuh, jantung Shakira diambil untuk menyelamatkan wanita 'Monica' dari kecelakaan dan jasadnya dibuang di lumpur Lapindo agar tak terdeteksi. Degup jantung di tubuh Monica membuat Shakira bangkit dari lumpur dan membalas dendam.
Teror terjadi dan Korban mulai berjatuhan, satu-per-satu seluruh pelaku pembunuhan tewas mengenaskan dan Shakira masih gentayangan mencari James.

# Bangkit dari Lumpur 2013:

Bangkit dari Lumpur 2013 di Bioskop
* Tayang Bioskop: 31 Oktober 2013
* Genre: Horor
* Sutradara: Sridhar Jetty, Irwan Ibon
* Produser: Gobind Punjabi
* Produksi: Sentra Films
* Running: 85 Menit
* Pemain
- Dewi Persik
- Robby Shine
- Herichan
- Febriyanie Ferdzilla
- Awang Sogi
- Ojie
- Joe Rizky

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Film Let's Play, Ghost 2013

04.01 Posted by Unknown No comments

Film Let's Play, Ghost 2013

Film Horor Indonesia Terbaru di Bioskop 2013 | Sinopsis Let's Play, Ghost 2013 di Bioskop: Sebuah Film Horror Indi Remaja terbaru "Let's Play, Ghost" tentang Mitos urban legenda di Puncak dilarang menyebut "Let's Play 5x". Film yang disutradarai Damien Dematra ini akan rilis dan tayang di Bioskop Oktober 2013 seluruh Indonesia.
Let's Play, Ghost 2013
# Sinopsis Let's Play, Ghost 2013:

Sebuah Mitos urban legenda di Puncak tentang sosok hantu cilik akan muncul kalo menyebut "Let's Play 5x..." dan sang hantu gak akan selesai bermain sampai semuanya AJAL.
Cerita berawal kerika Lima sahabat gadis remaja metropolitan: Natasha si pemberani, Diana si pesolek, Davina si lugu, Kathy si penyair gagal dan Rhonda si waria sableng berlibur ke sebuah vila di Puncak. Mereka tidak tau, bahwa di tempat itu sebelumnya pernah terjadi serentetan kematian misterius.
Tapi Kathy berhasil mengetahui cerita legenda dari seorang pembantu yg diam-diam naksir padanya. "Sesuatu yang jahat akan muncul bila ada yang menyebutkan kalimat, Let's Play! sebanyak lima kali". Karna gak percaya sama urban legenda ini, saat bermain "Truth or Dare", mereka menantang Rhonda untuk menyebut kalimat itu.
Bagaimana cara menghentikan kejahatan yg terjadi dan menyelamatkan yang masih hidup? Dan bagaimana sebenarnya misteri yg menimpa si hantu cilik di masa hidupnya dulu hingga menjelma jadi arwah penasaran?! Siapakah yang bisa menolong mereka keluar dari lingkaran permainan maut tersebut?

# Let's Play, Ghost 2013:

Lets Play Ghost 2013 di Bioskop
* Tayang Bioskop: Oktober 2013
* Genre: Horror
* Sutradara: Damien Dematra
* Produser: Damien Dematra, Irene Christina
* Produksi:
- Damien Dematra Production
- Angel Pictures
* Runing: 106 minutes
* Pemain:
- Natasha Dematra
- Vina Yunita
- Pagitta Ross
- Aditya Antika
- Herdi Bagus
- Kayla Atilla
- Suryanto
- Nurlaela

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Film Jobs 2013

03.55 Posted by Unknown , No comments

Film Jobs 2013

Film Biografi Terbaru di Bioskop 2013 | Sinopsis Jobs 2013 di Bioskop: Sebuah Film Biography Drama terbaru "Jobs" tentang seseorang yg membangun perusahaan komputer kecil. Film hollywood yang dibintangi Ashton Kutcher produksi Open Road Films ini rilis di Bioskop Agustus 2013 Internasional dan di Bioskop Indonesia November 2013.

# Sinopsis Jobs 2013:
Film Jobs 2013
Kisah Kronik Steve Jobs, sebuah kenaikan dari putus sekolah ke salah satu pengusaha kreatif yang paling dihormati abad ke-20.

Jobs, film biografi Ashton Kutcher sebagai ikon Silicon Valley visioner, dan akan memberi cahaya baru dan menentukan pribadi Steve Jobs, motivasi, dan orang-orang yang membuatnya sukses.
Film ini menceritakan Jobs (Ashton Kutcher) bersama temannya, Steve Wozniak (Josh Gad) yang bekerja sama membangun suatu perusahaan komputer kecil.
Dari sebuah garasi kecil di rumah dengan peralatan seadanya sampai perjuangannya merintis sukses dan berhasil merubah
teknologi dan dunia.

# Jobs 2013:

Jobs 2013 Bioskop

* Rilis : 16 Agustus 2013
* Genre: Biography Drama
* Writer: Matthew Whitely
* Director: Joshua Michael Stern
* Production: Open Road Films
* Official from: thejobsmovie.com
* Official site: JOBSthefilm.com
* Runing: 128 minutes
* Rating: PG-13

* Cast:
- Ashton Kutcher as Steve Jobs
- Josh Gad as Steve Wozniak
- Ron Eldard as Rod Holt (Apple Designer)
- John Getz as Paul Jobs
- Lesley Ann Warren as Clara Jobs
- James Woods as Jack Dudman (Dean of Students)
- Dermot Mulroney
- Lukas Haas
- J.K. Simmons
- Matthew Modine

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Film Make Money 2013

03.50 Posted by Unknown , No comments

Film Make Money 2013

Film Komedi Indonesia Terbaru di Bioskop 2013 | Sinopsis Make Money 2013 di Bioskop: Sebuah Film Comedy terbaru "Make Money" tentang warisan. Film yang dibintangi Pandji Pragiwaksono dan Ence Bagus akan rilis dan tayang di Bioskop November 2013 Indonesia.
Make Money 2013
Sinopsis Make Money 2013:
Pak Tri (Ray Sahetapy), memiliki karier sukses di dunia periklanan karena semangat dan kerja keras nya. Karier pak Tri gemilang, tapi gagal sebagai ayah.
Aris (Pandji Pragiwaksono) dan Rachmat (David Saragih), dua putra pak Tri tumbuh menjadi dua pribadi angkuh dan manja. Suatu hari, setelah kericuhan diantara Aris dan klien, pak Tri membuat sebuah rencana, pura-pura meninggal dan untuk memberi pelajaraan kepada anaknya, dia,mewariskan semua harta dan asetnya ke Odi (Ence Bagus), seorang pemulung yang dia temui di jalan.

Rencana pak Tri tidak berjalan lancar. Esok harinya, beliau benar-benar meninggal. Dalam sekejap, hidup Aris dan Rachmat berubah. Sesuai dengan isi surat wasiat, mereka tidak memiliki hak apapun untuk semua aset ayahnya. Aris dan Rachmat mendadak miskin, Odi mendadak kaya raya.
Aris merasa dunianya kiamat. Bukan hanya kehilangan harta, Aris juga kehilangan Imelda (Tara Basro), kekasihnya. Aris dan Rachmat yang semulanya tidak pernah akur kini harus bersatu untuk mencari Asri (Ratna Riantiarno), ibu mereka yang ternyata masih hidup dan kaya raya.



# Make Money 2013:
* Genre: Comedy
* Sutradara: Sean Monteiro
* Produser: Ipul Wathan, Sean Monteiro
* Produksi: Bamboom Productions
* Runing: 95 minutes
* Rating: R
* Pemain:
- Ence Bagus
- Ray Sahetapy
- Pandji Pragiwaksono
- Tara Basro
- Tarzan
- Verdi Solaiman
- Aida Nurmala
- Tika Bravani
- Albert Halim
- David Saragih
- Ratna Riantiarno

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Film Empire State 2013

03.36 Posted by Unknown No comments

Download Film Empire State 2013

Empire State 2013
Film Action Terbaru di Bioskop 2013 | Sinopsis Empire State 2013 di Bioskop: Sebuah Film "Empire State" yang diangkat dari kisah nyata tahun 1982 tentang perampokan mobil lapis baja pembawa uang di NYC. Film Hollywood yang dibintangi Liam Hemsworth dan Dwayne Johnson, produksi Lionsgate Films ini akan rilis di Bioskop Oktober 2013 Internasional dan di Bioskop Indonesia November 2013.

# Sinopsis Empire State 2013:
Chris Potamitis (Liam Hemsworth) Gagal masuk ke akademi kepolisian kemudian berkerja sebagai penjaga keamanan truk lapis baja. Sebuah kesalahan dilakukan Chris dengan menyebutkan kelemahan perusahaannya kepada sahabatnya Eddie (Michael Angarano). Akibatnya Chris terjebak dalam skema yang rumit perampokan mobil baja terbesar dalam sejarah Amerika Serikat.
Saat situasi semakin rumit, Chris dan Eddie harus menghindari James Ransone (Dwayne Johnson) seorang detektif kepolisian New York yang mengejarnya. Tidak hanya itu keduanya juga harus menghadapi bos kejahatan yang ingin mengetahui aksi mereka di wilayahnya.

# Empire State 2013:
Film Empire State di Bioskop * Tayang Indonesia: November 2013
* Rilis Bioskop: 10 Oktober 2013
* Genre: Action Crime True Story
* Director: Dito Montiel
* Produser: Randall Emmett, 3 other
* Production: Lionsgate Films
* Official from: deadline.com
* Raning: 94 minutes
* Rating: R
* Cast:
- Liam Hemsworth as Chris
- Dwayne Johnson as Ransone
- Emma Roberts as Waitress
- Chris Diamantopoulos as Mob Boss
- Nikki Reed
- Michael Angarano

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NOAH 2013 the Movie

03.14 Posted by Unknown , , , , No comments

NOAH 2013 the Movie

Salah satu adegan di film NOAH (700 Pictures)
Film Musikal Indonesia Terbaru di Bioskop 2013 | Sinopsis NOAH 2013 the Movie Bioskop: Sebuah Film Drama Dokumenter Musical Biografi dari "NOAH Band", tentang perjalanan Band Peterpan menjadi NOAH Band. Film yang dibintangi Nazril Irham dan para personel NOAH ini akan rilis dan tayang di Bioskop November 2013 Indonesia.

Kalo kalian penasaran dengan Film ini, langsung aja dilihat info tentang Sinopsis Pemain dan Video NOAH 2013 Movie Trailer di Bioskop Terbaru berikut:

# Sinopsis NOAH 2013 the Movie:
Peterpan adalah sebuah nama yang harus mereka relakan saat kedua anggotanya Andika dan Indra tidak lagi memiliki visi yang sama dengan Ariel, Lukman, Uki dan Reza. Dua minggu sebelum nama NOAH dikumandangkan, sebuah kelompok musik mengalami saat terberatnya saat Ariel sang Vokalis harus mendekam di penjara akibat tuduhan keterlibatannya dalam kasus video. 

Kepergian sang vokalis tidak hanya memberikan impact pada band dan setiap personilnya, kepercayaan mereka teruji. Berada di puncak kejayaan adalah bagian dari perjalanan hidup mereka, dan mereka jatuh. Kekuatan Noah sebagai sebuah keluarga tidak selamanya mudah dengan ketenaran.

Kru-kru yang bekerja di bank sampai menjadi supir angkot demi menunggu keluarganya bersatu kembali. Kehadiran sosok David dan vonis penyakit yang dideritanya membuat Noah bersatu dan menjadi lebih kuat dari sebelumnya.

Keyakinan bahwa bagian yang hilang itu akan kembali dan keluarga itu memiliki kesempatan lagi untuk menjadi besar, bahkan lebih besar dari sebelumnya. Keyakinan itulah yang membuat mereka berjalan. Kepercayaan dimana pada saat kita sudah berada di titik terendah, hanya ada satu jalan yang bisa dilalui. Yaitu jalan kembali ke atas!

# NOAH 2013 the Movie:
NOAH 2013 the Movie

* Tayang Bioskop: November 2013
* Genre: Drama, Documentary, Music
* Sutradara: Putrama Tuta
* Produser: Putrama Tuta
* Produksi:
- 700 Pictures
- Berlian Entertainment
- Musica Studio's
* Runing: 72 minutes 
* Rating: R
* Pemain:
- Nazril Irham
- Mohamad Kautsar
- Ilsah Ryan
- Loekman Hakim
- David Kurnia

Suka dengan Film Musikal Indonesia dan suka dengan Band NOAH yang digawangi Nazril Irham? Pastinya pada penasaran dengan Film terbaru NOAH Band ini kan. Ditunggu dan jangan lewatkan Film NOAH the Movie di Bioskop 2013 yang akan rilis dan tayang mulai November 2013. Disalin Film Bioskop Terbaru dari sumber disini. Lihat juga Film Sokola Rimba 2013.

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Battle of the Year (2013) Movies

20.04 Posted by Unknown , No comments

Battle of the Year (2013) Movies

Battle of the Year (2013)



Battle of the Year
Release Date: 20 Sep 2013
Director: Benson Lee
Writer: Brin Hill, Chris Parker
Cast: Josh Holloway, Laz Alonso, Josh Peck, Caity Lotz
Duration: 1 h 49 min
IMDB Rating: N/A/10 (N/A Votes)
IMDB ID: tt1532958 (Subtitles)
Genre: Music
Rating: 2.00/10 (1 votes)
Rated: PG-13
Synopsis:
Battle of the Year attracts all the best teams from around the world, but the Americans haven't won in fifteen years. Dante enlists Blake to assemble a team of the best dancers and bring the Trophy back to America where it started.

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The Family (2013) Movie

19.56 Posted by Unknown , , , , No comments
The Family (2013)
Release Date: 13 Sep 2013
Director: Luc Besson
Writer: Luc Besson, Michael Caleo
Cast: Robert De Niro, Tommy Lee Jones, Michelle Pfeiffer, Dianna Agron
Genre: Action | Comedy | Crime
Rating: N/A/10 (N/A Votes)
(Subtitles)
Synopsis:
A mafia boss and his family are relocated to a sleepy town in France under the witness protection program after snitching on the mob. Despite the best efforts of CIA Agent Stansfield (Tommy Lee Jones) to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children Belle (Dianna Agron) and Warren (John D'Leo) can't help but revert to old habits and blow their cover by handling their problems the ''family'' way, enabling their former mafia cronies to track them down. Chaos ensues as old scores are settled in the unlikeliest of settings in this darkly funny film by Luc Besson (Taken, Transporter).

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Running Man (2013) Movies

03.38 Posted by Unknown , , , No comments
"Running Man (2013) Movies"
Film Running Man (2013) - Jong-Woo (Shin Ha-Kyun) went to prison four times for petty crimes likes burglary and car theft, but he now works as an auto mechanic. He has a 17-year-old son named Gi-Hyuk (Lee Min-Ho), which he raises by himself. Gi-Hyuk is a smart kid, but troubled. The father and the son also do not get along. Although, Jong-Woo might appear like an irresponsible father, he tries his best and even works at night as a private taxi service. One evening, Jong-Woo drops off a couple at a ritzy hotel. Suddenly, another man hops into Jong-Woo's car and tells him to drive off.

Running Man (2013) Movies - Once the man pulls out large stash of cash, Jong-Woo is happy to drive the man wherever he wants. The man asks Jong-Woo to drive him to a delivery company. Jong-Woo walks into the delivery company and asks for directions to the bathroom. He then notices the man mailing off a small electronic device. The man then comes up to Jong-Woo and offers him $1,000 if he will drive him to an apartment and then to the airport. Jong-Woo happily agrees, but he first grabs the man's cellphone and calls his own cellphone. Once they get into the parking garage of the apartment complex, Jong-Woo's life is about to turn completely upside down. He runs out of the garage on foot and becomes the prime suspect in a murder case. Meanwhile, Gi-Hyuk is shocked and confused that his father is now a murder suspect. Gi-Hyuk attempts to uncover the truth.



"Running Man (2013) Movies"
Release Date: 04 Apr 2013
Director: Dong-oh Jo
Writer: N/A
Cast: Eun-ji Jo, Sang-ho Kim, Min-ho Lee, Ha-kyun Shin
Duration: 2 h 7 min
IMDB Rating: 6.5/10 (37 Votes)
IMDB ID: tt2763764
Genre: Action | Comedy
Rated: 15

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Crush (2013) Movies

03.32 Posted by Unknown , , No comments

Crush (2013) Movies

Crush (2013) DVDRip Watch Online

"Crush (2013) Movies"

The promising high school soccer player Scott is injured on the knee in a game and two years after, he is still trying to heel his knee. The teenager Jules feels unrequited love for him but Scott is concentrated in recovering his physical condition and considers her as a friend. The also teenager Bess that works in the store owned by David with her mature colleague Andie has a crush on Scott. When Scott is stalked by a mysterious person that threatens Jules, he believes that Bess is responsible for the weird situations. Is his assumption correct?


Crush (2013) Movies
Release Date: 13 Mar 2013
Director: Malik Bader
Writer: Sonny Mallhi
Cast: Crystal Reed, Lucas Till, Sarah Bolger, Caitriona Balfe
Duration: N/A
IMDB Rating: 5.3/10 (914 Votes)
IMDB ID: tt2093977
Genre: Horror
Rated: PG-13

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Hunter (2013) Movies

23.46 Posted by Unknown , No comments
Haunter could have been an ugly little blemish on Abigail Breslin’s resume, but instead she turns it into a chance to prove herself, solidifying that she’s got the acting chops to take a predictable narrative, poor supporting performances and loads of familiar camera tricks and make them watchable.

Haunter 2013
The year is 1985 and it’s the day before Lisa’s (Breslin) 16th birthday. She wakes up, eats pancakes, does the laundry, has macaroni and cheese for lunch, plays her clarinet and indulges in a meatloaf dinner with her mother (Michelle Nolden), father (Peter Outerbridge), and little brother Robbie (Peter DaCunha). Afterwards, they watch TV, Lisa goes to bed, and then she wakes up does the whole routine all over again. No, Lisa isn’t excessively schedule oriented; she’s trapped, forced to live a single day over and over again. Unable to convince her parents that there’s something seriously wrong going on, Lisa takes matters into her own hands and does a little digging in order to find out why they’re trapped in that one day and how to get out.

Haunter isn’t a bad movie, but it’s barely adequate. There are signs of inspired characters, clever ideas, and unique execution techniques, but they’re all curtailed by wooden performances, a predictable narrative, and loads of very familiar visuals.

The intimacy of the scenario is highly appealing. It’s a nice, normal family of four, indulging in seemingly normal daily activities. It’s easy to connect. But then, when Lisa goes back to start and you come to realize that something is seriously wrong here, it turns that relatable, comfortable world on its head and the reveal is very effective. However, with each go-around, the situation becomes more tedious, less interesting, and rather silly.

Haunter is a one-note experience and the lack of highs and lows makes it easy for key plot points to pass right by. In fact, there’s one major revelation that changes the entire course of the film and should mark a profound emotional beat for Lisa, but we get nothing.

However, it doesn’t seem as though Breslin is at fault for the deficit. In fact, her work is the main reason that Haunter is enjoyable at all. At the start, there’s so little chemistry between Breslin and the other family members that you’ll wonder whether or not her character was recently adopted. Again, it’s not Breslin’s fault. She comes across as incredibly natural, whereas Outerbridge, Nolden, and DaCunha deliver tacky infomercial versions of the quintessential American family. They’re not real people and they feel like robots.

Nolden struts around in an apron and constantly puts food on the table, Outerbridge is forever fixing his car engine, and DaCunha will make your blood boil every time he goes into cutesy mode to charm his mother into giving him two scoops of ice cream. The repetition does make sense, but the characters should still feel like real people and they don’t, not the first time, not the fifth, and not even when external forces come into play and alter the routine.

Fortunately, Breslin has no trouble carrying the film on her own because not only is she dealing with weak supporting characters, but terrible dialogue, poor production design, and uninspired direction, too. Banter between characters is loaded with unintentional laughs, like when Outerbridge throws a temper tantrum over his spark plugs and then there’s the overuse of the term “busy Betty.” (It is a “busy body,” right? Or is “busy Betty” an 80′s phrase that I missed out on?)

In general, the look of the interior of the house serves its purpose, but there’s absolutely nothing special about it. Every inch of the house is exactly what you’d expect. However, the exterior and that oppressive fog effect are absolutely atrocious. Yes, it could make sense to have an exceptionally heavy amount of fog considering where the narrative goes, but it’s introduced so early in the film that the cartoonish look functions as blatant foreshadowing rather than building a sense of dread. The house itself doesn’t feel quite real either. It’s almost as if the entire exterior was created digitally in post-production.

Dragging all of these elements down further is the fact that Vincenzo Natali seems to have lost his flare and sense of originality. Haunter is drowning in cliché genre camera tricks. There are so many extreme close-ups on eyes that you could make a great drinking game with the overused visual. Natali also has a habit of using far too many pushes and pulls, and all right when you’d expect them, making his intentions far to obvious for the technique to have the appropriate effect.

Fortunately, Breslin pulls through and delivers a performance that’s engaging enough to both walk you through the narrative and even leave you somewhat satisfied in the end. It isn’t smart enough to make you think much after the credits roll and it isn’t scary enough to keep you up at night, but Haunter is successful enough to make for a harmless, lazy day DVD/VOD watch.

Haunter is a step down for director Vincenzo Natali, but yet another step up for Abigail Breslin, who continues to prove herself as a leading lady, commanding attention with such force that you might just be able to look past the underdeveloped narrative and laughably over-the-top supporting performances.

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Free Download Movies Gravity (2013)

23.35 Posted by Unknown , No comments
Gravity
Nearly eleven months ago to the day the film screened for me, my father passed away after a long battle with cancer, and the emotional difficulties encountered both before and after his death completely and fundamentally altered the way I look at and interact with life and the world around me. I am not religious, but while there is a common (and hurtful) assumption that atheists ‘believe in nothing,’ I do spend a great deal of time thinking upon my place in the Universe, and the beliefs that I have forged, especially in the past year, are immensely personal and meaningful to me, and empower me to move forward even as the grief of my father’s death still haunts me.

Why Gravity affected me so greatly, then – I will admit to being persistently misty-eyed for the entirety of the film’s last half, and an uncontrollable emotional wreck on the car ride home – is because in this wondrous, glorious work of art, I saw my own beliefs up there on screen, personified through Cuarón’s incredible storytelling more eloquently than I could ever describe. Much has been made of the film’s awe-inspiring technical accomplishments, and indeed, Cuarón does nothing less than rework the basic cinematic language filmmakers have communicated in for nearly 100 years. The film is bold, innovative, and blindingly visionary to degrees modern cinema almost never approaches. Yet it is not the aesthetic achievements that make Gravity an outright masterpiece, but the way Cuarón uses them to realize and empower his fundamentally simple – and extraordinarily profound – message about what it means to live in an existence where we are so utterly dwarfed by the scale of the cosmos surrounding us.

It is not the meaning of life Cuarón is interested in – that is an impossible and fool-hardy question to broach – but the most basic reasons we choose to go on living that form the foundation of the film. Such issues have, in fact, lain at the heart of his work for a long while. Even just looking at his most recent two films, Harry Potter and the Prisoner of Azkaban (far and away the best of the Potter flicks and, in my opinion, one of the single greatest studio blockbusters in Hollywood history) and Children of Men, each deals with characters discovering how and why to live after experiencing immense tragedy or hardship. Azkaban is all about the transitional point in Harry’s life wherein he chooses to move foreword from the grief of his past, emboldened by it rather than wallowing in it, while Children of Men is even more direct, presenting a world in which life itself seems futile – all humans are infertile, and no babies are being born – but the characters ultimately resolve to put their hope in the basic act of living.

The protagonist of Gravity, Dr. Ryan Stone (Sandra Bullock), starts her journey from a similar point as these characters, having lost her only daughter when the child was four years old, and admitting to feeling lost and wandering in her daily life. Yet what this story offers that Cuarón’s previous works do not is a sense of cosmic scale, for the film literally takes place in space, with the characters surrounded by an inconceivably beautiful, terrifyingly unknowable, and utterly inhospitable environment.

And what a vision of that environment this is. The majority of Gravity is purely experiential, as we open with Dr. Stone in the middle of her first space shuttle mission, and follow her journey through a (brief) period of peaceful operation before a large-scale cosmic disaster, in which debris from a destroyed satellite impacts the team’s shuttle, leaves her and veteran astronaut Matt Kowalsky (George Clooney) stranded. What follows is perhaps the most terrifying and awe-inspiring depiction of outer space ever committed to film, as Cuarón’s incredibly detail-oriented production design, married with an utterly unique approach to cinematography and editing, relentlessly simulates for the viewer the feeling of being lost amongst the stars.

The construction of the film is as fascinating as it is invigorating. Every inch of Gravity looks as if it were shot on location, with Cuarón and his crew travelling up to space and capturing everything live, and the illusion is so complete that I never once found myself wondering how they pulled off these remarkable special effects. There is absolutely nothing that pulls the viewer out of the movie, no moment that stands out as ‘fake’ or ‘manufactured,’ which is of course a constant, if often unconscious, response we naturally have to most effects-driven spectacles. And it is nowhere near as simple as the CGI work being top-notch – it is, but there are plenty of recent movies driven by great CGI that still look largely unconvincing (Avatar and Life of Pi spring immediately to mind). Gravity is the utterly rare case in which the illusion is not only seamless, but I have no earthly idea how they pulled most of it off.

That is because rather than just push the technology as far as it will go, Cuarón has genuinely innovated in terms of the basic cinematic language he employs. Those who have studied film history know that, while cinema was a rapidly evolving medium for its first twenty or thirty years, the general constructive components of the art form have not drastically changed since the silent era. Cinematography and lighting have certainly evolved greatly since early Hollywood, but the basics of how one shoots a scene, at least in mainstream pictures, has long since been set in stone, and more importantly, the continuity-based editing techniques used to put it all together are fundamentally identical today as they were in 1915, when D.W. Griffith’s The Birth of a Nation pioneered and solidified many feature editing practices.

But Gravity is, as I said, legitimately groundbreaking. From an editing standpoint, while the film is still constructed on lines of continuity, it does not employ the general editing rhythms audiences are familiar with, where the pace is determined by the number of cuts. Gravity contains very, very few cuts, instead presenting its action through impossibly long, seamless takes. There are cuts here and there, though they are generally few and far between, but virtually every one of them is invisible, because we are conditioned early on not to expect beats of action or dialogue on the cut, but to feel everything progress fluidly and without interruption. Cuts are only employed if a large leap in geography or camera perspective is required, and very occasionally to advance time forward.

Otherwise, everything is presented in single takes, but even the nature of those takes is extraordinarily unique. Emmanuel Lubezki, one of the greatest cinematographers alive today, constantly keeps his camera moving, usually in broad elliptical patterns that simulate the experience of floating through space. It is easily the best visual evocation of weightlessness I have ever seen, and even as the camera follows these experiential or first-person patterns, Lubezki simultaneously keeps moving through spatial environments, bringing us from one character to the next without ever needing to cut, or moving from an front-facing shot of a character inside their helmet, so we may see what they see, and then back out again to the third-person perspective. These are only a few functions of the camera – in the long takes, it also contextualizes all geography and action on its own, and moves quietly away from physical subjects to survey different cosmic sights, like an aurora borealis exploding into being over earth’s surface, before returning to the shot’s primary focus.

These long takes are, of course, illusions in and of themselves – given the amount of special effects required, and the fact that the film was not actually shot while circling earth, the ‘camera’ is much less a physical, tangible presence than an omniscient lens through which action is created. What was literally shot, with actors and physical props or sets, versus what was animated or composited, and how the various disparate elements were spliced together to create the illusion of seamlessness, is all impossible to know, but the effect is transfixing from start to finish. In theory, cinematography does not have to mean a physical camera aimed at tangible subjects, but Hollywood’s fierce insistence on keeping cinematography traditional even as those tangible subjects are increasingly replaced by visual effects – or entirely animated – has made it difficult, in the past, to praise cinematography on largely artificial works. But Gravity proves cinematography can mean something more, and can exist outside of the physical apparatus to achieve visuals the camera itself never could.

To watch Gravity is to see the basics of film construction conceived anew, and it is, to my mind, the single largest step forward in digital filmmaking to date. I have no use for a digital cinema that plays by the same rules as stock-based filmmaking – it will always be inherently inferior. But a digital cinema that separates itself by innovating beyond what physical cinema could be? That is a future I could easily warm to, and Gravity is a wondrous proof of concept.

But as previously stated, Cuarón is not merely innovating for the sake of innovation. He is a storyteller, first and foremost, and the experience of watching Gravity, and being swept up in this immersive vision of the cosmos, is foundational to understanding the core themes of the piece. Space is, after all, an incredibly humbling concept, an infinity of emptiness stretching out in every possible direction, with an unknowable number of stars and worlds punctuating the endless void. It is so big and beautiful and terrifying as to be inconceivable, and in allowing the viewer to experience the horror and majesty of a doomed space voyage alongside the film’s main character, Gravity is, in essence, about humanity’s relationship with the eternal.

Being directly in touch with infinity sure makes Dr. Stone introspective, as her journey to find safe passage back to earth not only brings up old memories about her daughter, but has her questioning the worth of life itself. Very few of us may journey to the stars in our lifetimes, but Stone’s emotional ordeal is nevertheless a very universal experience. I know I relate to it immensely, because after my Dad died, and I started thinking about the nature of life and death and human existence and our small, infinitesimal place in the universe, I was forced to confront my own reasons for living – because it is not good enough, of course, to merely ‘live.’ Each of us must have a deeper, more personal reason for doing so, and finding that reason is exactly what Gravity is all about.

I shall not spoil the conclusion Dr. Stone and the film itself come to – viewers owe it to themselves to forge their own personal experience with this wonderful film – save to say that Cuarón is, perhaps, cinema’s greatest and stealthiest optimist, for the way in which he spins this seemingly dark tale into an absolutely transcendent celebration of life itself is unbelievably profound. What Gravity ultimately has to say about the nature and value of human life – and how it forces the viewer, throughout the film’s second half, to truly experience that message – wound up emotionally wrecking me, and I think it is one of those cinematic experiences I will carry with me the rest of my life. I left the theatre in tears, barely holding it together, amazed that a single film could so powerfully embody, reinforce, and above all else, clarify my basic personal philosophies. I felt cleansed, purified, practically born anew by the beauty of what I had just seen, and reminded, as forcefully as I have ever been, of cinema’s limitless potential for emotional identification.

And I must give every ounce of praise I can muster to Sandra Bullock for her part in making that identification possible. George Clooney, the only other actor to physically appear on screen, is excellent as well, giving a warm and thoroughly lived-in performance, but his part is ultimately a minor one, and Bullock is our only human touchstone for the majority of the film. Her work is not ‘showy’ or over-the-top in any way, but beautifully subtle and nuanced and human, and especially considering the challenge of the role – the physical demands alone seem inconceivable to me – this performance is utterly miraculous. Whoever played this part would have to walk a fine line between being swallowed up by the film’s overwhelming technical aspects and overshadowing the precise, thoughtful atmosphere on display, and Bullock never once wavers to one side or the other. Like every other element of the film, what she does seems in no way fictitious – she simply is the character, and the character is her, one part of a bigger whole. This is quite possibly the best performance of the year, and certainly one of the most piercingly naturalistic I have ever had the fortune to experience.

Gravity will undoubtedly be many different things to many different people (though I think all viewers can agree this is the best and most significant film about space travel since Stanley Kubrick’s 2001). I do not assume the reader shall respond to the film as powerfully as I did, and I can virtually guarantee that if they do, it may be for entirely different reasons. That is the mark of great storytelling, of course, and Gravity, for all its many accomplishments, is at its core a wondrous narrative, beautifully executed with an eye for innovation that matches its emotional and intellectual content.

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The Wolf of Wall Street (2013) Movies

23.30 Posted by Unknown , No comments
The Wolf of Wall Street
As highly anticipated as Martin Scorsese‘s ‘The Wolf of Wall Street‘ is, the film has hit a bit of a snag, as Paramount isn’t confident it’ll be ready for its original November 15 release. Reports suggest the film might get pushed into 2014, leaving it out of this year’s Oscar race, but some new information could mean it might make it to theaters in time for Christmas.

 ‘The Wolf of Wall Street’ by November 25, which would give Paramount enough time to market the film for a Christmas release. Not only that, but the director will leave to be a judge for the Marrakesh Film Festival shortly after the November date.

The issue seems to be the running time; Scorsese’s current cut is 180 minutes long and needs to be shaven off a bit. If the task is a manageable one, then ‘Wolf’ will aim for release Christmas Day, while ‘Jack Ryan: Shadow Recruit‘ (originally in that slot) will be moved to 2014.

We’d certainly like to see ‘Wolf of Wall Street’ sooner than later, for both the Scorsese name and its dynamite cast — Leonardo DiCaprio, Matthew McConaughey, Jonah Hill, Jean Dujardin, Rob Reiner, Kyle Chandler, Margot Robbie, Jon Bernthal, Cristin Milioti, P.J. Byrne and Ethan Suplee. For one, this seems like McConaughey’s year — he not only impressed audiences with his more dramatic turn in ‘Mud,’ but he’s also receiving outstanding early buzz for his turn as HIV-infected heterosexual homophobe Ron Woodruff in ‘The Dallas Buyers Club.’ Including ‘Wolf’ in this year’s Oscar run would just send him over the top.

The Wolf of Wall Street’ is based on Jordan Belfort’s best-selling memoir from a screenplay by Terrence Winter. The film chronicles this former broker’s rise and fall on Wall Street mingled with his intense partying and drug and alcohol addictions. If this film were to be released this year, we’d be excited enough.

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Agents of S.H.I.E.L.D. (2013) Movies

23.23 Posted by Unknown , No comments

Agents of S.H.I.E.L.D. (2013) Movie


For those living under a rock, the ‘Avengers‘-adjacent series features Clark Gregg’s resurrected Phil Coulson Ming-Na’s Melinda May, Brett Dalton’s Grant Ward, Iain de Caestecker and Elizabeth Henstridge as Leo Fitz and Gemma Simmons, and, of course, Chloe Bennet as hacker Skye. ‘Luck‘ star Ian Hart recently appeared as Marvel character Dr. Franklin Hall, while both Samuel L. Jackson and Cobie Smulders have put in cameos as Nick Fury and Maria Hill. Lest we not forget, Tom Hiddleston and Sam Rockwell are open to reprise their roles as Loki and Justin Hammer, though it might take awhile.

Well, this should come as no surprise. In spite of Marvel’s ‘Agents of S.H.I.E.L.D.‘ ratings leveling out after the blockbuster premiere, as reactions to the inaugural three episodes run the gamut, ABC has opted to place its full faith in the show with a full-season order. Coulson lives, again!
We weren't sure initially if Marvel’s ‘Agents of S.H.I.E.L.D.’ would bypass the usual format altogether and heroically earn itself a full second season, but it seems ABC has opted to play relatively safe with the traditional “back nine,” bringing the total number of ordered episodes for the season to 22.

Ranked as the number one new show of the fall TV season among the 18-49 crowd, Marvel’s ‘Agents of S.H.I.E.L.D.’ picked up 12.1 million total viewers for the September 24 premiere, marking TV’s highest-rated drama debut in approximately four years. The most recent episode, “The Asset,” pulled 7.9 million, conquering CBS titan ‘NCIS’ for its 8:00 time slot.

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Captain Phillips (2013) Movie

23.18 Posted by Unknown , No comments

Free Download Movies Captain Phillips (2013

The true story of Richard Phillips (Tom Hanks) who-as the captain of the merchant marine vessel the Maersk Alabama- was taken hostage by Somali Pirates.
Captain Phillips

Captain Phillips is A fact-based thriller, Captain Phillips is edge-of-your-seat stuff, regardless of how familiar you are with the true story behind Captain Phillips' ordeal with the pirates. Director Paul Greengrass marries his cinema verité-style from UNITED 93 with the audience-pleasing appeal of the BOURNE films to deliver a movie that should please both the crowds and the critics.

It helps that Captain Phillips feels like a role that couldn't possibly have been played by anyone but Hanks. He really embodies the American every-man, and playing Phillips, he's incredibly personable and easy to identify with. Unlike a lot of other directors, Greengrass never succumbs to melodrama. There are no cutaways to Phillips' family back home (his wife, played by Catherine Keener, is only briefly shown) keeping the film confined to what is happening at sea. It's not needed, and despite running a lengthy 130 minutes, Greengrass keeps the film moving at an exceptionally fast pace. Likewise, Hanks' performance as Phillips feels incredibly disciplined and authentic, with Phillips maintaining a mostly stoic demeanour until late in the film.

One of the most intriguing things about Greengrass' approach is the compassion and empathy he shows the Somali pirates. In a more jingoistic film, they would have been cardboard baddies, but Greengrass (and screenwriter Billy Ray) portray them in a three-dimensional way that- while not excusing their crimes- makes you understand their motivations. Greengrass avoids being preachy, but it's a necessary element that would have been absent from many other films. As the head pirate, Barkhad Abdi doesn't play a caricature or a two-dimensional monster, and if anything, knowing the motivations behind his crimes, and seeing his life back in Somalia makes his actions even more chilling, as we know he's got nothing to lose.

At the same time, this does not at all condone their actions. Clearly, Greengrass is portraying them as “bad guys” and not misunderstood victims of circumstance, which is nicely addressed by Phillips himself later in the film. The audience's sympathy is kept squarely with the resourceful and clever Captain, and Hanks's “everyman heroism” is comparable to the types of performances given by actors like Henry Fonda or James Stewart in their prime. Greengrass never goes too over the top by idealizing Phillips (a quick scene depicts him as a tough taskmaster at sea with union troubles), but it's clear that this is a character we're meant to identify with, and root for, which we certainly do.

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Ain't Them Bodies Saints (2013) Movies

23.11 Posted by Unknown , , , , No comments

Ain't Them Bodies Saints

Running Time: 105 Minutes
Status: Released
Country: United States
Genre: Action | Crime | Drama
Synopsis:
“This was in Texas,” a title at the beginning of “Ain’t Them Bodies Saints” tells us, but we would most likely have figured that out before too long. We are in a land of courteous lawmen and soulful outlaws, skinny women in plain dresses and squinty-eyed killers in black hats. These folks ride around in battered pickup trucks and peek out through the screen doors of peeling clapboard farmhouses. Occasionally one of them will aim a rifle or a pistol in another’s direction. An older fellow says “howdy.” What other state could it be? The period setting of this moody, western-ish crime drama, written and directed by David Lowery, is a bit harder to place, though the shape of the cars and a briefly glimpsed television set suggest the late 1960s or early 1970s. Not that it matters much. We could just as easily be in the 1870s or the 1930s, since the themes of violence, honor and sacrifice are as unchanging as the big, cloud-swept sky. This is a landscape of archetypes, where individual stories take on a mythic, even metaphysical resonance.

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All Is Bright (2013) Movies

17.28 Posted by Unknown , No comments
"All Is Bright (2013)"
A time for family, feasting, giving, and celebration – unless you’re two Canadian criminals turned straight-edge civilians. In that case, ’tis the season for backstabbing, stealing, lying, and scheming, as director Phil Morrison spins his own tale of holiday cheer by focusing on the profitable Christmas tree selling racket that causes people to pay absurd prices out of tradition, decorating the tree’s decaying corpse with tinsel, ornaments, and any other flashy attention grabbers. Yeah, never thought about it that way, did you? But there’s money to be made and lessons to be learned in All Is Bright, as the super acting duo of Paul Giamatti and Paul Rudd attempt to “Ho, ho, ho” their way straight to the bank.

Recently released from jail, Dennis (Paul Giamatti) returns home to a cold welcome from his supposed wife (Amy Landecker), finding out she’s told his only daughter Michi (Tatyana Richaud) he’d died of cancer. Coping with the concept of never seeing his child again, matters only become worse when he finds out that his wife started seeing his friend/ex-partner Rene (Paul Rudd), and that the two plan on getting married. A lot changes when you’re in prison for four years, but Dennis still has a hard time accepting such drastic shifts.

Putting drama aside, Dennis still understands he needs a job and income, so he turns to Rene for any opportunity. With the Christmas season approaching, Dennis ends up accompanying Rene to New York City (traveling from Canada), where the two will sell Christmas trees on an empty lot. But is going on an extended trip with the man who is marrying your (ex)wife really a good idea? Looks like Dennis is going to find out…

An immediate problem I found with All Is Bright struck me somewhere around the mid-point of my viewing, when I realized I didn’t care about either character, and was only enjoying watching both Paul Rudd and Paul Giamatti. This dosage of double Paul goodness is a dream team considering casting choices, but Melissa James Gibson’s script doesn’t properly create characters with steadfast motives, grounded personas, or dramatically balanced conflicts. Utilizing the holidays for this buddy dramedy didn’t really add any seasonal spice, as Dennis and Rene continually mess about with one another, hurdling towards an inevitably jolly ending.

When you have Paul Giamatti and Paul Rudd playing opposite one another though, you’re already at an advantage. Playing two Canadian gentlemen caught up in the Big Apple, there was some fun to be had with their trite bickering, and moments of true chemistry turned Dennis and Rene into formidable “frenemies.” Rudd is especially entertaining when he flicks on the full “Québécois” charm, turning into this outdoorsy caricature of what Americans believe rural Canadians to be. This is the kind of independent work I love seeing Paul Rudd taking part in, and with a partner like Paul Giamatti to feed off of, Rudd takes a stereotypical character and turns the role into something vastly more entertaining.

Paul Giamatti shines while engaging in another relationship though, as Sally Hawkins plays a Eastern European maid who buys a Christmas tree from Dennis, sparking a friendship with the burly Canuck. There was something redeeming about their friendship though, because it totally stayed in the friend zone, and never really embraced any romantic tendencies. I’m honestly a little sick of characters always having to fall in love with someone, and while there were suppressed undertones present, All Is Bright avoided any cheesy romantic “necessities,” and just showed two genuine, lonely people depending on one another for a little company.

Even with a quirky, indie ending that aims straight for the heart but misses said target, All Is Bright becomes watchable because Paul Rudd and Paul Giamatti are better than you. They just are. Whether they’re fighting in front of some helpful teenagers, or stealing from snobby, rich dentists, watching two phenomenal actors do their thing is always a rewarding experience, even if the groundwork isn’t up to snuff. Morrison’s film isn’t like opening your dream gift on Christmas morning, but maybe the third or fourth choice on your list to Santa. It’s not an adorable puppy, but it’s not an itchy, hand-knitted sweater either.

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This Is the End (2013) Movies

17.12 Posted by Unknown , , , No comments
The comedy 'This Is The End' follows six friends trapped in a house after a series of strange and catastrophic events devastate Los Angeles. As the world unravels outside, dwindling supplies and cabin fever threaten to tear apart the friendships inside. Eventually, they are forced to leave the house, facing their fate and the true meaning of friendship and redemption.

This Is the End (2013) Movies

"This Is the End"

MPAA Rating: R
Genre: Action | Comedy
Run Time: 107min.
Theatrical Release Date: 06/12/2013
DVD Release Date: 10/01/2013
Status: In Theaters
Distributor(s): Sony Pictures, Columbia Pictures
Director(s): Seth Rogen, Evan Goldberg
Starring: James Franco , Jonah Hill , Seth Rogen , Jay Baruchel , Danny McBride
Themes: End of the WorldTrapped or ConfinedDemonic PossessionFaltering Friendships
Keywords: ApocalypseHollywoodactorapartmentcelebrityThis Is the End (2013) Movies
Country of Origin: USA
Language: English
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.

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Thor: The Dark World (2013) Movies

The Dark World is a 2013 American superhero film featuring the Marvel Comics character Thor, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the second Thor film following 2011's Thor and the eighth installment in the Marvel Cinematic Universe. The film was directed by Alan Taylor, with a screenplay by Christopher Yost, Christopher Markus and Stephen McFeely, and features Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Kat Dennings, Ray Stevenson, Tadanobu Asano, Jaimie Alexander, Rene Russo and Anthony Hopkins reprising their roles from the first, with newcomers Christopher Eccleston, Adewale Akinnuoye-Agbaje, Zachary Levi and Clive Russell joining the cast.

Thor: The Dark World (2013) Movies

Thor: The Dark World (2013) Movies
Director : Alan Taylor
Writer(s) : Don Payne, Stephen McFeely, Christopher Markus, Christopher Yost, Joss Whedon
Expected Release: 8 November 2013 (USA)
Genre : Action | Adventure | Fantasy

Synopsis Thor: The Dark World :

Thor: The Dark World is the upcoming sequel to Thor and the eighth film in the Marvel Cinematic Universe. It will be released on November 8, 2013 and will be available in 3D. Chris Hemsworth and much of the cast from the first film reprise their roles in the film. The film is being directed by Alan Taylor.
Contents
"Thor: The Dark World"
Marvel's Thor: The Dark World continues the big-screen adventures of Thor, the Mighty Avenger, as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvel's Thor and Marvel's The Avengers, Thor fights to restore order across the cosmos when an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

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Before Midnight (2013) Movies

16.38 Posted by Unknown , , , No comments
Before Midnight is a 2013 American romantic drama film and the sequel to Before Sunrise (1995) and Before Sunset (2004). Like its predecessors, the film was directed by Richard Linklater and stars Ethan Hawke and Julie Delpy. As with the previous film, Linklater, Hawke, and Delpy shared screenplay credit. Following a limited opening in May, the film was released wide on June 14, 2013.
Before Midnight received widespread acclaim from critics and grossed over $20 million worldwide.


Before Midnight (2013) Movies
Directed: Alan Taylor
Produced: Kevin Feige
Screenplay: Christopher Yost, Christopher Markus, Stephen McFeely
Star : Ethan Hawke, Julie Delpy, Seamus Davey-F
Running time:109 minutes
Country: United States
Language: English, Greek, French
Genre : Drama | Romance
Synopsis Before Midnight :
"Before Midnight"
Nine years after the conclusion of Before Sunset, Jesse (Hawke) and Céline (Delpy) are a couple and parents to twin girls conceived when they got together for the second time. Jesse is also struggling to maintain his relationship with his teenage son, Hank, who lives in Chicago with Jesse's ex-wife and who, after spending the summer with Jesse and Céline on the Greek Peloponnese peninsula, is being dropped off at the airport to fly home. Jesse has continued to find success as a novelist, while Céline is at a career crossroads, considering a job with the French government.

After dropping off Hank at the airport, the couple discuss their worries about Hank having a healthy childhood and Céline deciding what to do with her career, before returning to the house of their Greek friend, Patrick. Over dinner they discuss ideas about love and life, and the other people staying with them buy Jesse and Céline a hotel room for that night so they can have some time alone. While walking to the hotel, the couple reminisce about how they met and how their lives have changed since then. When they arrive at the hotel, however, the two have a vicious argument, as both of them pour out their fears about a present and future together.

Céline eventually storms out of the hotel room, telling Jesse she doesn't think she loves him anymore before sitting in the hotel's outdoor restaurant alone. Jesse joins her and playfully tries to explain to her how things can be different from tonight. Céline initially finds his attempts childish, saying that their fantasies will never match the imperfect reality their relationship constantly goes through. Jesse then proclaims his love to her, saying that he loves her unconditionally and is not sure what else she could want from a relationship. Céline suddenly resumes Jesse's joke and the two seem to reconcile.

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The Lone Ranger (2013) Movies

16.24 Posted by Unknown , , , No comments
The Lone Ranger is a 2013 American western action film produced by Walt Disney Pictures and Jerry Bruckheimer Films and directed by Gore Verbinski. Based on the radio series of the same name, the film stars Johnny Depp as Tonto, the narrator of the events, and Armie Hammer as John Reid (The Lone Ranger). It relates Tonto's memories of the duo's earliest efforts to subdue the immoral actions of the corrupt and bring justice in the American Old West. William Fichtner, Barry Pepper, Ruth Wilson, James Badge Dale, Tom Wilkinson and Helena Bonham Carter also are featured in supporting roles. The film marks the first theatrical film featuring the Lone Ranger and Tonto characters in more than 32 years.


The Lone Ranger (2013)
Dated Released : 3 July 2013
Quality : BRRip 720p
Info : imdb.com/title/tt1210819
IMDB Rating : 6.7 (11,798 users)
Star : Johnny Depp, Armie Hammer, William F
Genre : Action | Adventure
Keyword : The Lone Ranger (2013) Movies
Synopsis The Lone Ranger (2013):
"The Lone Ranger "
At a sideshow in a San Francisco fair in 1933, a boy, Will, who idolizes a legend known as the Lone Ranger, encounters Tonto, an elderly Comanche Native American Indian, who proceeds to recount his experiences with the Old West adventurer.
In Colby, Texas on March 18, 1869, lawyer John Reid returns home via the uncompleted Transcontinental Railroad, managed by railroad tycoon Latham Cole. Unknown to Reid, the train is also carrying Tonto and outlaw Butch Cavendish, who is being transported for his hanging after being captured by Dan Reid, John's Texas Ranger brother. Cavendish's gang rescues Butch and derails the train. Tonto is jailed and Dan deputizes John as a Texas Ranger, and with six others, they go after the Cavendish gang.
The town and railroad enterprise recognize John (whose identity is still unknown to them) as a hero and offer him a law-enforcement position. John declines and rides off with Tonto. Back in 1933, Will questions the truth of the tale. Before departing, Tonto gives him a silver bullet and tells him to decide for himself. Will puts his mask on and glances back toward the tent where Tonto stood, only to see a crow fly there.

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The Hobbit: The Desolation Of Smaug (2013)

Free Download Movies The Hobbit: The Desolation Of Smaug (2013) Free Download Movies The Hobbit: The Desolation Of Smaug (2013) Free Download Movies The Hobbit: The Desolation Of Smaug (2013) Free Download Movies The Hobbit: The Desolation Of Smaug (2013)

The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug.

The Hobbit

  • Dated Released : 20 September 2013
  • Info : comingsoon.net/films.php?id=40305
  • IMDB Rating : -
  • Star : Ian McKellen, Martin Freeman, Richard Armitage
  • Genre : Adventure, Fantasy 
  • Keyword : The Hobbit: The Desolation Of Smaug (2013)

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Synopsis The Hobbit: The Desolation Of Smaug (2013) :

The second in a trilogy of films adapting the enduringly popular masterpiece "The Hobbit," by J.R.R. Tolkien, "The Hobbit: The Desolation of Smaug" continues the adventure of the title character Bilbo Baggins (Martin Freeman) as he journeys with the Wizard Gandalf (Ian McKellen) and thirteen Dwarves, led by Thorin Oakenshield (Richard Armitage) on an epic quest to reclaim the lost Dwarf Kingdom of Erebor.

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Download Movies Prisoners (2013)

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Prisoners
  • Dated Released : 20 September 2013
  • Quality : CAM
  • Info : imdb.com/title/tt1392214
  • IMDB Rating : 8.2 (16,386 users)
  • Star : Hugh Jackman, Jake Gyllenhaal, Viola Davis
  • Genre : Crime | Drama | Thriller 
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Synopsis Prisoners:

When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?

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Dated Released : 7 June 2013
Quality : BRRip 720p
Info : imdb.com/title/tt2184339
IMDB Rating : 5.5 (34,921 users)
Star : Ethan Hawke, Lena Headey, Max Burkholder 
Genre : Horror | Sci-Fi | Thriller
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Synopsis The Purge:

A family is held hostage for harboring the target of a murderous syndicate during the Purge, a 12-hour period in which any and all crime is legalized.

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Dated Released : 2 August 2013
Quality : UNRATED BRRip 720p
Info : imdb.com/title/tt2230358
IMDB Rating : 6.1 (1,603 users)
Star : Danielle Bisutti, Brad Dourif, Alex Vincent
Genre : Horror | Thriller
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Synopsis Curse Of Chucky:
Curse Of Chucky
After her mother's mysterious death, Nica begins to suspect that the talking, red-haired doll her visiting niece has been playing with may be the key to recent bloodshed and chaos. 

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